City Hall’s counter-propaganda over Rise found its way into Comment is Free today. BoJo’s cultural underling, Munira Mirza, claims that removing the anti-racist message means they’re now “Doing anti-racism for real.”
Really, Comrade Mirza? Let’s have a look at her argument:
To give some background: in 1996 the Trades Union Congress and various political groups organised Respect (later renamed Rise), intended as a festival against racism. One of the organisations involved was the National Assembly Against Racism (NAAR). In 2000, the then newly-elected Mayor of London, Ken Livingstone, effectively nationalised the event by giving it large sums of public money. Several of Ken’s key aides at City Hall had links to NAAR, including Lee Jasper.
Do I detect the none-too-subtle presence of a strawman or five? Apparently, heavy state funding equals nationalisation. Which is strange, given that nationalisation is usually taken to mean state-ownership and direction of an event - not funding. The NHS is nationalised. The railway network, which receives heavy state subsidisation but is directed by private companies, is not. You’d hope that someone who held public office might know the difference, lest they attempt something risky like allowing vicious asset-strippers into the GLA for a period of public service (Oh. Wait…)
Or could it just possibly be that Mirza wants to associate Rise with nationalisation, and consequently with us bastard socialists? Nothing selective about her use of language, not at all…
Oh - and the same goes for her mention of Lee Jasper. The clear intent is to associate NAAR with Lee Jasper and thus with corruption, despite the rather glaring fact that NAAR isn’t under investigation for such.
Over the years, Rise was proclaimed by Ken & Co as a key weapon in the fight against racism and fascism. In reality, it became an annual jamboree for Ken’s favourite political activist groups, many with no clear link to anti-racism. The Cuba Solidarity Campaign, Socialist Workers Party and CND, among others, brought in their armies of volunteers to man stalls, hand out leaflets, sell newspapers and rattle donation buckets. The “community” area of the festival looked more like Sussex University freshers’ fair circa 1970. Not without good reason did Rise become known as “Kenstock“.
So, Mirza objects to the presence of political groups? Fine. Never mind the fact that those groups weren’t there because Ken asked them (perhaps she should ask the SWP for their views on Ken…), but because they wanted to be. Or that they’ve stalls at a host of other, entirely apolitical events, for much the same reason.
Oh, and the fact that most people simply ignore the stalls and wander straight off to the music - and have the choice to do so.
No, it’s clear that because Ken was a socialist, he allowed these groups in to peddle their pinko-peacenik ideologies on his behalf. Perhaps Mirza’s bitter because the RCP didn’t have a stall?
But, apparently, these bearded commies are a serious problem:
The deterrent effect of this highly politicised atmosphere should not be underestimated. Although the event was supposed to be inclusive and attract people from ethnic minorities, the GLA’s own research (conducted while Ken was mayor) shows that 65%-70% of attendees in the last two years were white. That is disproportionately whiter than the population of London.
Yes, very true. Unfortunately, Mirza then leaps to:
It seems reasonable to conclude that the political baggage and relentless sloganeering was actually putting people off. And no doubt many individuals and families who did come on the day were there primarily for the music or a nice day out.
No, it’s not reasonable to conclude that a few ill-attended stalls on the fringe of an event should drive down attendence by ethnic minorities. Where’s the evidence to suggest that? None. The GLA’s research did not report that potential concert-goers were put off because a few deranged Trotskyites might waggle their beards at them. There’s no evidence for that, or any other hypothesis as to why attendence isn’t very mixed - because the GLA didn’t ask.
It could easily be the previous choice of artists, or the weather in different part of London, or any number of factors. We can’t know, as we haven’t got anything to base our assertions off. But that hasn’t stopped Mirza…
Londoners deserve a great, free music festival with excellent bands from around the world. They don’t need to be hectored about why racism is bad or accosted by activists explaining why Castro is a hero. We don’t have anti-racist fireworks on New Year’s Eve and we don’t need to organise an anti-paedophile concert to prove our moral credentials on the issue.
Who mentioned paedophiles? Mirza looks to be playing games with language to make false associations again. Perhaps to compensate for her inability to make a consistent or logical argument. She’s entirely missed the point, here; Rise is, and always has been, about anti-racism. That’s why it exists. The concert is a means to communicate that message. The other groups that fund the event - particularly Unison and the TUC - know that and are committed to it.
If Mirza wants Londoners to have another free concert, then that’s great. But when she wants to cut the anti-racist elements out of an anti-racist festival with music attached - that’s not.
Sectarian political festivals are not the way Londoners want their money to be spent.
Anti-racism’s sectarian? The last person I heard make that argument was Richard Barnbrook.
Most of us, I suspect, just want to be trusted to get on with other people and not be instructed by activists about the dangers of racism.
Tell that to Barnbrook, and all of the 128 609 fascists who voted for him.
That’s why the GLA has decided to go ahead with Rise this summer, but to change the emphasis. We are stressing the cultural aspects of the festival and keeping the vibe positive. We are also bringing in grassroots ethnic and community organisations that have not previously been involved. Above all we are making Rise fun. As a result, the festival will hopefully attract a more diverse audience.
Let me translate that “keeping the vibe positive”: We’re going to ignore racism in public from now on. That’s what she means, as borne out by the total excision of Rise’s original purpose. And it won’t work. I hope Vamp won’t mind me quoting his original comment on this, but he has it exactly right:
Defeating racism is not purely a matter of dissuading those with such views but also mobilising those in opposition to it. I would refer you also to my write-up of Love Music Hate Racism: there is nothing more disastrous for the far-right than a gathering which loses them any of the young and I reckon that the sight, for instance, of Skream and Benga annihilating any notion of cross-racial incompatibility during their collaboration could well have such an impact. If you know of a better way to get a horde of youths together than a free music concert then be sure to let me know, as well as Richard Barnbrook who seems to have been struggling lately.
Mirza is absolutely correct that a concert is a great way of getting everyone together; that’s the original organisaers chose a concert in the first place. What she misses is that many are unaware of just how pervasive the problem is, and the fact that it needs challenged. Not everyone will come to the concert itself, mix with each other and solve the problem magically, as she wants - simply because not everyone will make it to the gig. It won’t have the desired effect.
But a festival combined with an anti-racist message will. Those who turn up will hopefully wake up to the danger of racism; they might become involved, and will certainly tell their friends. And so people become aware of racism, and something actually gets done.
Londoners voted for change on May 1 and the new Rise is part of that change. Out will go the political sloganeering and heavy-handed propaganda but by bringing Londoners from different backgrounds together to share their love of music Rise will be doing anti-racism for real.
She’s spelled those last two words wrong. What she means is we’re “doing anti-racism to death.” The original concerts brought people together and achieved the soft-power affect desired; the overt anti-racist message capitalised on that and actually drove the message home. The new festival will lack that extra impact, and so may well simply be wasted as an opportunity to challenge division and hate.
Perhaps turnout may be higher or more diverse this year. But that won’t be because the political message died, as Mirza suggests. Her assertion that this put people off was just that; an assertions with no reasonable basis. It’ll probably have more to do with the presence of truly excellent artists like CSS - or maybe just a decent weather forecast.
One thing’s for certain, though: it just won’t be the same.
EDIT: And, oh look! Barnbrook welcomes the move.